AestheticsStudying Sobi enamel design and motifs; A window to a better understanding of the religious thoughts of the Mandaean Sabeans of Khuzestan [Volume 1, Issue 2, 2022, Pages 92-103]
AghamirekAnalyzing the characterization of the image of the Devil in Tahmasbi's horoscope illustrations [Volume 1, Issue 1, 2022, Pages 163-180]
Airport TerminalsThe Function of Augmneted Reality in Airport Terminals’ Wayfinding Graphic Design [Volume 1, Issue 1, 2022, Pages 61-78]
Ali-Qoli Kho'iRootting of the visual representation of the ‘Ashurā narrative in the Mirzā ‘Ali-Qoli Kho'i works (Case Study: Story of Deir and Rāheb) [Volume 1, Issue 2, 2022, Pages 104-114]
Al's characterThe reflection of the thinking of myths in the characterization of the paintings of the illustrated version of Al-Bolhan, with an emphasis on the picture of "Al-Qul Ali al-Tawbi'a wa Awanha" representing the character of "Al" [Volume 1, Issue 1, 2022, Pages 79-96]
Analogon photoThe Exploration of Cultural Status of the Nasseri Era Women Based on the Semiotic Analysis of Implicit Meaning (Case Study: Works of Photography by Antoin Sevruguin) [Volume 1, Issue 2, 2022, Pages 53-63]
Antoin SevruguinThe Exploration of Cultural Status of the Nasseri Era Women Based on the Semiotic Analysis of Implicit Meaning (Case Study: Works of Photography by Antoin Sevruguin) [Volume 1, Issue 2, 2022, Pages 53-63]
Ashurā؛ Lithography؛ Story of Deir and Rāheb؛ Mirzā &lsquoRootting of the visual representation of the ‘Ashurā narrative in the Mirzā ‘Ali-Qoli Kho'i works (Case Study: Story of Deir and Rāheb) [Volume 1, Issue 2, 2022, Pages 104-114]
Asrār al-Shahādeh؛ Illustration of &lsquoRootting of the visual representation of the ‘Ashurā narrative in the Mirzā ‘Ali-Qoli Kho'i works (Case Study: Story of Deir and Rāheb) [Volume 1, Issue 2, 2022, Pages 104-114]
Augmented realityThe Function of Augmneted Reality in Airport Terminals’ Wayfinding Graphic Design [Volume 1, Issue 1, 2022, Pages 61-78]
C
Chahartoranj motifThe application of a geometrical theorem of Khayyam in the drawing of Chahartoranj motif [Volume 1, Issue 1, 2022, Pages 107-118]
Codified compositionsInvestigating factors affecting the formation of Suprematism; By studying the works of Kazimir Malevich in the years (1900-1940) [Volume 1, Issue 1, 2022, Pages 145-162]
CompositionThe Analysis of the Quality of Usage of the Grid System in the Khamsa Shah Tahmasp's manuscript [Volume 1, Issue 1, 2022, Pages 23-40]
Contemporary paintingStudying the works of contemporary painters from Ghazliat Shams based on Genet's theory of Transtextuality (A case study of the works of 3 painters from the Shams Farhangistan book). [Volume 1, Issue 2, 2022, Pages 64-77]
D
DevilAnalyzing the characterization of the image of the Devil in Tahmasbi's horoscope illustrations [Volume 1, Issue 1, 2022, Pages 163-180]
E
EnamelStudying Sobi enamel design and motifs; A window to a better understanding of the religious thoughts of the Mandaean Sabeans of Khuzestan [Volume 1, Issue 2, 2022, Pages 92-103]
Environemental Graphic DesignThe Function of Augmneted Reality in Airport Terminals’ Wayfinding Graphic Design [Volume 1, Issue 1, 2022, Pages 61-78]
Exhibitionary OrderAn Original Image or a Forged Originality? : Omar Khayyam dominated by the exhibitionary order [Volume 1, Issue 1, 2022, Pages 97-106]
F
Falnameh TahmasabiAnalyzing the characterization of the image of the Devil in Tahmasbi's horoscope illustrations [Volume 1, Issue 1, 2022, Pages 163-180]
FilmSemiotics of Iranian identity in graphic design and film titles (Case study: Jafar Khan's film of Farang Barghedeh, 1988 [Volume 1, Issue 2, 2022, Pages 127-140]
G
GenetStudying the works of contemporary painters from Ghazliat Shams based on Genet's theory of Transtextuality (A case study of the works of 3 painters from the Shams Farhangistan book). [Volume 1, Issue 2, 2022, Pages 64-77]
Geometric elementsInvestigating factors affecting the formation of Suprematism; By studying the works of Kazimir Malevich in the years (1900-1940) [Volume 1, Issue 1, 2022, Pages 145-162]
Ghazliat of ShamsStudying the works of contemporary painters from Ghazliat Shams based on Genet's theory of Transtextuality (A case study of the works of 3 painters from the Shams Farhangistan book). [Volume 1, Issue 2, 2022, Pages 64-77]
I
IconologyThe Iconology of the Local Iranian Effigy as an Innate Art: Case Study of the Azerbaijanian Teke Effigy [Volume 1, Issue 1, 2022, Pages 7-21]
Ilkhani eraThematic and visual analysis of the Golden Mihrab of Imamzadeh Ali bin Jafar in Qom' masterpiece of religious art' A gift from the Ilkhani era [Volume 1, Issue 2, 2022, Pages 16-30]
Illustrated Rubaiyat of Omar KhayyamAn Original Image or a Forged Originality? : Omar Khayyam dominated by the exhibitionary order [Volume 1, Issue 1, 2022, Pages 97-106]
Imamzadeh Ali bin Jafar QomThematic and visual analysis of the Golden Mihrab of Imamzadeh Ali bin Jafar in Qom' masterpiece of religious art' A gift from the Ilkhani era [Volume 1, Issue 2, 2022, Pages 16-30]
InteractionThe Function of Augmneted Reality in Airport Terminals’ Wayfinding Graphic Design [Volume 1, Issue 1, 2022, Pages 61-78]
Iranian ArtThematic and visual analysis of the Golden Mihrab of Imamzadeh Ali bin Jafar in Qom' masterpiece of religious art' A gift from the Ilkhani era [Volume 1, Issue 2, 2022, Pages 16-30]
Iranian GraphicsSemiotics of Iranian identity in graphic design and film titles (Case study: Jafar Khan's film of Farang Barghedeh, 1988 [Volume 1, Issue 2, 2022, Pages 127-140]
Iraqi potteryA comparative study of commonalities and stylistic differences in the motifs of the lustre ware of Iraq and Neishabur [Volume 1, Issue 2, 2022, Pages 115-126]
Isfahan schoolThe Analysis of the Quality of Usage of the Grid System in the Khamsa Shah Tahmasp's manuscript [Volume 1, Issue 1, 2022, Pages 23-40]
Islamic artSociological analysis of the role of Iranian art and artists in Islamic civilization with an approach to Max Scheler's theories [Volume 1, Issue 2, 2022, Pages 141-148]
Islamic CivilizationSociological analysis of the role of Iranian art and artists in Islamic civilization with an approach to Max Scheler's theories [Volume 1, Issue 2, 2022, Pages 141-148]
K
Khayyam's rulerThe application of a geometrical theorem of Khayyam in the drawing of Chahartoranj motif [Volume 1, Issue 1, 2022, Pages 107-118]
L
LiteratureAnalyzing the link between literature and photography according to the work "In Search of Lost Time" by Marcel Proust [Volume 1, Issue 2, 2022, Pages 78-91]
M
MalevichInvestigating factors affecting the formation of Suprematism; By studying the works of Kazimir Malevich in the years (1900-1940) [Volume 1, Issue 1, 2022, Pages 145-162]
Marcel ProustAnalyzing the link between literature and photography according to the work "In Search of Lost Time" by Marcel Proust [Volume 1, Issue 2, 2022, Pages 78-91]
Max SchelerSociological analysis of the role of Iranian art and artists in Islamic civilization with an approach to Max Scheler's theories [Volume 1, Issue 2, 2022, Pages 141-148]
Motion GraphicsSemiotics of Iranian identity in graphic design and film titles (Case study: Jafar Khan's film of Farang Barghedeh, 1988 [Volume 1, Issue 2, 2022, Pages 127-140]
Movement tracking. OGAMASalient points and regions in the Nastaliq SiahMashgh script Based on eye movement traking [Volume 1, Issue 1, 2022, Pages 197-211]
Muhammad ZamanThe Analysis of the Quality of Usage of the Grid System in the Khamsa Shah Tahmasp's manuscript [Volume 1, Issue 1, 2022, Pages 23-40]
N
Neishabur potteryA comparative study of commonalities and stylistic differences in the motifs of the lustre ware of Iraq and Neishabur [Volume 1, Issue 2, 2022, Pages 115-126]
O
OrientalismAn Original Image or a Forged Originality? : Omar Khayyam dominated by the exhibitionary order [Volume 1, Issue 1, 2022, Pages 97-106]
P
PaintingThe Analysis of the Quality of Usage of the Grid System in the Khamsa Shah Tahmasp's manuscript [Volume 1, Issue 1, 2022, Pages 23-40]
PatternsStudying Sobi enamel design and motifs; A window to a better understanding of the religious thoughts of the Mandaean Sabeans of Khuzestan [Volume 1, Issue 2, 2022, Pages 92-103]
PatternsA comparative study of commonalities and stylistic differences in the motifs of the lustre ware of Iraq and Neishabur [Volume 1, Issue 2, 2022, Pages 115-126]
PhotographyAnalyzing the link between literature and photography according to the work "In Search of Lost Time" by Marcel Proust [Volume 1, Issue 2, 2022, Pages 78-91]
Q
Qazvin school of paintingAnalyzing the characterization of the image of the Devil in Tahmasbi's horoscope illustrations [Volume 1, Issue 1, 2022, Pages 163-180]
R
Revival Movement of Miniature PaintingAn Original Image or a Forged Originality? : Omar Khayyam dominated by the exhibitionary order [Volume 1, Issue 1, 2022, Pages 97-106]
RumiStudying the works of contemporary painters from Ghazliat Shams based on Genet's theory of Transtextuality (A case study of the works of 3 painters from the Shams Farhangistan book). [Volume 1, Issue 2, 2022, Pages 64-77]
S
SabeansStudying Sobi enamel design and motifs; A window to a better understanding of the religious thoughts of the Mandaean Sabeans of Khuzestan [Volume 1, Issue 2, 2022, Pages 92-103]
Safavid EraThe Analysis of the Quality of Usage of the Grid System in the Khamsa Shah Tahmasp's manuscript [Volume 1, Issue 1, 2022, Pages 23-40]
SemioticsSemiotics of Iranian identity in graphic design and film titles (Case study: Jafar Khan's film of Farang Barghedeh, 1988 [Volume 1, Issue 2, 2022, Pages 127-140]
Shahnama paintingAnalysis of the aesthetic alterations in the Witch's portrayal In the Shiraz the Injuid School's illustrated Shahnama [Volume 1, Issue 1, 2022, Pages 181-196]
Shiraz I painting schoolsAnalysis of the aesthetic alterations in the Witch's portrayal In the Shiraz the Injuid School's illustrated Shahnama [Volume 1, Issue 1, 2022, Pages 181-196]
Siah Mashgh script. Salient points. EyeSalient points and regions in the Nastaliq SiahMashgh script Based on eye movement traking [Volume 1, Issue 1, 2022, Pages 197-211]
Sociology of artSociological analysis of the role of Iranian art and artists in Islamic civilization with an approach to Max Scheler's theories [Volume 1, Issue 2, 2022, Pages 141-148]
SuprematismInvestigating factors affecting the formation of Suprematism; By studying the works of Kazimir Malevich in the years (1900-1940) [Volume 1, Issue 1, 2022, Pages 145-162]
T
TekeThe Iconology of the Local Iranian Effigy as an Innate Art: Case Study of the Azerbaijanian Teke Effigy [Volume 1, Issue 1, 2022, Pages 7-21]
TitrageSemiotics of Iranian identity in graphic design and film titles (Case study: Jafar Khan's film of Farang Barghedeh, 1988 [Volume 1, Issue 2, 2022, Pages 127-140]
TranstextualityStudying the works of contemporary painters from Ghazliat Shams based on Genet's theory of Transtextuality (A case study of the works of 3 painters from the Shams Farhangistan book). [Volume 1, Issue 2, 2022, Pages 64-77]
U
UnconsciousThe reflection of the thinking of myths in the characterization of the paintings of the illustrated version of Al-Bolhan, with an emphasis on the picture of "Al-Qul Ali al-Tawbi'a wa Awanha" representing the character of "Al" [Volume 1, Issue 1, 2022, Pages 79-96]
Urban ArtUrban art as a factor in satisfying the citizen and growing the cultural-artistic economics [Volume 1, Issue 2, 2022, Pages 42-52]
W
WayfindingThe Function of Augmneted Reality in Airport Terminals’ Wayfinding Graphic Design [Volume 1, Issue 1, 2022, Pages 61-78]