Kamran Yousefzadeh, nicknamed Y. Z. Kami, is one of the contemporary Iranian painters who studied philosophy and filmmaking in America and then in Europe. His paintings have been displayed in many exhibitions, including the solo exhibition of his works in Ab/Anbar Gallery, Tehran in June 2017. This exhibition included various works such as portraits, domes and hands. In the current research, among these works, domes have been examined and it seems that the creation of domes indicates a special and mystical view of the artist. imaginary circles that end in absolute light and whiteness in the center of the paintings. Following the attitude of the artist in the creation of these works, various positions can be found, which apparently shows the effectiveness of intertextuality in the interrelationship and interdependence between ancient texts, Islamic philosophers' opinions and paintings As the basis of Laurent Geni's theories, he also applied the theory of intertextuality to literary texts. The main question of the research is that 1- How was the relationship between the painting of domes and the pretext of ancient Persian literature? 2- What is the intertextual relationship between the circle, (circular movement) and myths and symbols in Islamic philosophy? The research method is descriptive and analytical. The method of collecting library materials and from numerous books and articles related to the subject was through data collection. The obtained results show that there is a strong intertextuality between the paintings and Enlightenment philosophy. There is a weak and strong relationship between the paintings of the domes and Islamic mythology, Hikmat-Mashai and Dervish Sufism.