, preserving the borders of a territory and preserving its integrity is accomplished by creating epics of a hero or group of heroes, which are recorded in history for their greatness and grandeur. Remembering and retelling the aforementioned event builds the nation's self-confidence and increases the people's spirit of courage and bravery. Ferdowsi has arranged some of the Iranian epics in his great work, and in it the famous hero Rostam becomes the main hero of the Iranian epics. Many artists in the field of painting the Shahnameh manuscripts have attempted to recreate the story of Haft Khan from an epic perspective. The Shahnameh of Paris, 953 AH, is among the works mentioned, which, due to its clarity of image, is a suitable case for studying the characteristics of the epic in painting of the Safavid era (the "Golden Age of Iranian Painting"). Now the question is, "To what extent did the Paris illustrator of the Shahnameh of 953 AH use the features of the epic in depicting Haft Khan Rostam?" It is assumed that "by relying on the epic conceptual indicators of the Shahnameh text and narrative painting, the artist was able to utilize visual elements to create the epic atmosphere of Haft Khan Rostam, Shahnameh, 953 AH, Paris." The present study aims to investigate the extent to which the epic painting of Haft Khan Rostam of the Shahnameh of Paris, 953 AH, is related to the characteristics of the epic. The nature of the research is documentary-analytical and the method of collecting information is library. The results of the research acknowledge that the illustrator of Haft Khan Rostam of the Shahnameh, relying on his skill in illustration, was able to establish a significant connection between the image and the indicators of the epic.