Kiyomarth is one of the legends of ancient Iran, whose status is shown in Ferdowsi as the first king. Although the story of the kingdom of Kiyomarth is short in the Shahnameh, but the mythological position of Kiyomarth has attracted the attention of painters for artistic rendering.
Most of the artists in different schools of painting have designed him as wearing a leopard, as Ferdowsi said. Due to the clarity of the image, the picture of Kiyomarth court is a suitable example for research in the direction of Kiyomarth clothing. In the mentioned picture, Kiyomarth is sitting on a throne in the middle of a crowd and all of them are wearing leopard print. Now, the question is, what kind of dignified rank of people in the story of Kiyomarth does the cover of the figures of the court of Kiyomarth in the Shahnameh of Paris 953 A.H. show? It is assumed that the artist of the painting of the court of Kiyomarth in the Shahnameh of Paris in 953 A.H. used clothes to show the legendary dignity of Kiyomarth. The purpose of the present research is to investigate the form of clothing of the figures in the painting of Kiyomarth court in order to analyze the relationship of clothing with the mythological status of Kiyomarth. The current research is documentary-analytical and the method of collecting information is library. Research in the field of mythological clothing will be efficient in the studies of mythology and sociology. The results of the research acknowledge that the artist of the Safavid era used clothes as a symbol to show the existential dignity of Kiyomarth and his people.