The advantage of the power of the works of art to lead political, cultural, economic, etc. actions are carried out by the community of its audience, political, cultural, economic, etc. actions are carried out by the community of its audience. This article uses a hybrid approach to read a petroglyph of Fath Ali Shah hunting a lion in order to answer the question that it reflects the social action of the mentioned petroglyph on the one hand, based on the examination of the pretexts effective in its formation, and on the other hand, due to the impressive power of the works. What was on the public mind? The purpose of the upcoming research is to analyze the social functions of Fath Ali Shah's imitation of the petroglyphs of the kings before him. This article is qualitative and analytical. The method of gathering information is based on library data and study of visual documents. The result of this article indicates that the re-creation of lithographic art by Fath Ali Shah, like his predecessors,was not only aimed at a social reflection, i.e. showing the face of power, but was responsible for several social actions, including the king's right to reign, his power in defeating enemies, expanding the belief that his position is divine, equating his ability with the ability of ancient Iranian princes, and the mutual interaction of art and politics in the service of the ruling system, each of the mentioned cases played an effective role in gaining his political authority in the society. In deeper analysis,it can be seen that the ruling power provided the platform for the formation of this range of art to become the servant of his goals and at the same time, this spectrum was formed to support the ruling power And this feature is a reflection of interaction and bilateral connection between art and politics.