Imagination is one of the most important elements necessary for the formation of a work of art. Painting, as one of the prominent branches of art, is impossible without the element of imagination. In painting, imagination is more than creating real images. This is something that can be seen in Darrudi's Iranian paintings. On the other hand, Gaston Bachelard considers imagination to form images that leave reality behind. Therefore, Bachelar's comments have the ability to be used to identify imagination in works of art. In this research, the imaginative elements in Iran Darrudi's paintings are analyzed and adapted according to Bachelar's point of view, and in what forms and types have the four elements appeared in Iran Darrudi's works. And the meaningful relationship between light and color in the works of Iran Darudi and material and form imagination has been searched from Bashlar's point of view. The current research is descriptive-analytical from the point of view of the fundamental goal and from the point of view of the method, and library and internet tools were used to collect information. The statistical population of this research includes the analysis of 3 works of painting from Daroudi Iran, which have been qualitatively analyzed using artistic, literary, mythological and historical sources. At the end of the research results, it seems that: Iran Daroudi in His works use light and color, which are the main elements in the imaginary space of his works, relying on natural elements in materialistic imagination and a metaphor of life and death, existence and non-existence, and immortality, which is a sign of dialectical duality in this material imagination. has it. Also, it seems that all the imaginary images of Iran Droodi are metaphorical in the manifestations of nature, which have been reflected in the form of symbols and the unconscious mind of the artist. All of them are compatible with Bachelard's imagination, whose purpose is based on material imagination, form imagination, dialectical duality.