The link between literature and art in Iran has been an unbreakable link for a long time. Persian literature with its epic, mystical, romantic, and religious themes has always been an inspiration for Iranian painters and a source of works for many illustrators and painters. In the meantime, the poems of Rumi as the leader of mystics in Iran, although they have a special place in classical literature, they have not been illustrated until now. For this reason, at the beginning of the last decade, the Academy of Arts started editing this valuable work for the first time and displayed the artist's encounter with Rumi's poems to present the sonnets of this outstanding poet in a new way and through the lens of Another should be checked. Based on this, the purpose of the present study, which relies on Gerard Genet's theory of, Transtextuality, examines the relationships of a text with previous texts in the form of Hypertextuality, intertextuality, Sermetextuality, paratextuality, and metatextuality, explaining the relationship There is a parallelism between Shams' sonnets and the works of painters in Shams Farhangistan book. Therefore, the main question is: What is the reflection of verbal texts in the visual works of Shams Farhangistan's book based on Genet's theory of Transtextuality? The results of the research show that the visual text has come out of the verbal text, and the first text can sometimes be seen explicitly in the second text, and sometimes it can be seen metaphorically and implicitly, or in the form of allegory, substitution, and hypertext. It is identification. One of the main commonalities of the two texts, in which the type of relationship is explicit, is the connection of the second stanza with the image of a bird surrounded by flowers and the eight-pointed star in Mr. Eskandari's work; Placement of part of the first text (poetry) in the second text (painting) by Mr. Jabari's calligraphy; And the connection of the fifth stanza with the three birds drawn in the work of Mr. Esadi, which shows being enclosed in a cage between the parallel lines at the top and bottom of the frame; Cited. Sometimes, the type of relationship between two texts is established in the form of an implicit type, such that in Eskandari's work, the use of elements with the same color spectrum on a blue background, which is caused by the placement of a star The eight feathers on it are a sign of the sky, reminding the second verse, also the metal objects used in the lower part of the image are influenced by the fourth verse. In some cases, the artist-painter has also established the semi-textuality by establishing a longitudinal relationship with his category and genre. In addition, the research method in this study is descriptive-analytical and its data was collected by searching library sources, observing works, and interviewing.